Showing posts with label semiotext(e). Show all posts
Showing posts with label semiotext(e). Show all posts

Tuesday, November 23, 2010

Why hasn't Baudrillard already disappeared?


Recently Semiotext(e) has reissued several of the late Jean Baudrillard's pamphlets from the 70s and 80s as part of a series called "A History of the Present". I've read three of them over the past few months: Forget Foucault, In the Shadow of the Silent Majorities, and Fatal Strategies. Two things by way of beginning: first, generally speaking the introductions by commentators added much to my experience of reading the texts. Baudrillard's writing is notoriously allusive and mind-numbingly repetitive in places; a friend of mine recently commented that reading him was not unlike reading a mediocre first-year undergrad essay, since much of it is uncited vaguaries and unsupported claims in a froth of redundancy. Since I'm sympathetic to this view, I have to say that having a theoretical overview at the beginning of each text is much appreciated - though it appears, in my opinion, that the commentators are at times overly sympathetic. Second, I implore Semiotext(e) to get better copy editors. The reissued pamphlets are littered with typos, as well as asterisks on foreign language words which do not point to any explanations of the words. And I shit you not, the reissue of In the Shadow of the Silent Majorities contains a paragraph which just breaks off mid sentence.

If publishing trends are any indication, Baudrillard still appears to command a fair bit of attention in North America. This despite his disappointing, confusing and to many people offensive weigh-in on the events of 9/11 (The Spirit of Terrorism, Verso), and, more importantly, the fact that nobody in France ever really bought much into him in the first place (Deleuze even once quipped that Baudrillard was "the shame of the profession"). So what gives?

I think on some level Baudrillard speaks to a need that is deeply felt in North America. Theoretically speaking he's actually not that hard to crack; the problem is that he writes in a manner contemptuous of his audience. He assumes we all know a thing or two about Bataille, Mauss, Levi-Strauss, Freud, Jarry, Marx, symbolic exchange, pataphysics, and so on. To be fair, we should indeed have a good grasp of these if we want to engage seriously in so-called French Theory; casual readers, however, will be highly frustrated by what will appear to be pompous nonsense.

So what, then, is the kernal of Baudrillard's later theory? What the pamphlets in question wager is that capitalism has reached a metastatic cancer stage of post- or trans-political administration. There being no alternative to capitalism (and in any case no revolutionary subject to usher in such a change), there is properly speaking no more critical theory. There is only the "fatal" theory that banks on things imploding under their own weight. Baudrillard takes the position of a theorist who ups the ante of late or "postmodern" capitalism and advances hypotheses about its own terminal logic. Speaking in terms of symbolic exchange - e.g. the agonistic ritual of potlach - he gives the gift of extreme theory by way of contributing to provoking the counter-gift of the system's own collapse (i.e. he is a kind of "terrorist" - cue his bizarre response to 9/11). There is a perverse kind of hope in Baudrillard: one which is attuned to the day after the apocalypse. Abandon Marxism all ye who enter.

I think that this touches off something profound in a society that is sick with surplus value, but which sees no real alternative to capitalism. In a society that churns out apocalypse culture, it is easy to interpret Baudrillard's ideas as flirtations with the hope that the whole thing will just crumble, come what may. In the last two decades of his life, especially, he can be read as a kind of ironist of the apocalypse. Virtually any one of his books will provide a good enough entering wedge into what he is doing, since all he does at bottom is repeat that there is nothing to be done but ride out the end.

So my advice: if interested, pick up any one of his books, see how he does it, and move on. Solidarity with emancipatory currents in the global South, for example, presupposes more than and in all likelihod rules out the fatal theory of disillusioned Marxists.

Friday, October 2, 2009

"The Coming Insurrection"


I recently read Semiotext(e)'s translation of "The Coming Insurrection" by the Invisible Committee. It's a revolutionary pamphlet falling under the sign of the banlieu riots in Paris in 2005, New Orleans after Hurricane Katrina, and the ongoing troubles in Greece. It was used as evidence in a sabotage trial targeting a group of people who had allegedly authored it, and it has been labelled a "manual for terrorism" by French politicians.

The book is a fascinating read. Not just because it's an urgent, honest, somewhat compelling call for DIY change, but because it's quintessentially French in its radicalness. Readers familiar with the French ultra-Left of the past half-century will notice that the language and philosophical categories of the text are a not-too-shabby pastiche of Badiou, the Situationist International, Althusser, the early Baudrillard, and Deleuze. From a purely academic standpoint, therefore, there are some challengingly rich things in the text to mull over.

On the practical side, the book is not a manual for terrorism in the strict sense, though it is certainly an urgent call for activities that would be widely condemned as terrorist. Its philosophical merits and points of interest tend to overshadow and somewhat obscure the question of how the insurection is to proceed. There are some notable tactical recommendations, but at times the reader must wonder if the vagueness of the call does not blunt its rhetorical force. Note that there exist actual manuals for insurrection. "The Coming Insurrection" is more of a revolutionary pamphlet in the classical sense.

As with most ultra-Left or post-Left anarchist literature, "The Coming Insurrection" stresses the need to organize without organizations or meeting processes; the commune, described in Badiouian terms of fidelity rather than formal terms of equality, is the basic political unit of the insurrection. The collective and its processes are abandoned; though many contemporary Leftists, activist or otherwise, will probably be curious about the book's message, in many ways it strikes at what they hold dearest.

McSweeney's iphone Application


Just in from my email inbox: well, not from my email, it's now from the link to McSweeney's:
We hereby announce the debut of the Small Chair, a weekly selection from all branches of the McSweeney’s family. One week you might receive a story from the upcoming Quarterly, the next week an interview from the Believer, the next a short film from a future Wholphin. Occasionally, it might be a song, an art portfolio, who knows. This week we’ve got a new short film by Spike Jonze, starring the legendary Maurice Sendak with a story of life before the Wild Things were. Appearances by Jonathan Ames and Chris Ware will be following soon after. None of this material will be available online and it’s all pretty sure to be good stuff.
McSweeney's, of course, is already involved in an excellent quarterly, a magazine (the Believer), a series of DVD anthologies (Wholphin), and publishing well designed books. I am not an iphone person, although Caroline has one, and I can confirm that I have held it and even used it to call somebody once. I do have twenty-one issues of McSweeney's quarterly, and over a dozen of their books. Sooooo, if I had an iphone, I would probably purchase their application. Until then, I will have to resort to reading their publications either online or in bound and inked paper format.

This says something about the brand loyalty of McSweeney's customers (aside from saying that McSweeney's thinks/knows that enough of their customers have an iphone to make this worthwhile). Imagine a publishing corporation, say, Harper-Collins, creating an application. Who would care? Harper-Collins isn't searching out a market niche for brand recognition, they are mass market. They publish both Sarah Palin and Martin Heidegger. The only logic therein is capitalism (for a good book about that story, see Andre Schiffrin's The Business of Books). By contrast, it wouldn't surprise me to see other independent publishers try out developing applications. Imagine if this technology existed at the peak of Semiotext(e)'s popularity (which I hear was in the late 80s and early 90s), with people receiving clips of Baudrillard talking about simulacra and art or publishing his photographs, or Deleuze chain smoking. Just about as cool as finding rare copies of their pocket books, which (sign of the times?) are now being reissued in 6"x9" format.